GHOSTFACE
Do you dare to enter the twisted world of Slasher? Each season, a new killer dons a haunting mask and wreaks havoc on innocent victims with a motive yet unknown. From the Executioner to the Guilty Party, the masked murderers will leave you shivering in fear. Will anyone make it out alive? You never know when the next victim will fall. So don't hesitate, come and join the fun, before you become the next target of the twisted world of Slasher.
In "The Executioner," Sarah Bennett and her husband Dylan move back to her hometown of Waterbury, Canada, into the same house where her parents were brutally murdered on Halloween in 1988. Despite the horrific past, Sarah is excited to start fresh in her childhood home and is determined to make a life with Dylan.
However, her excitement is short-lived when a copycat killer begins a new killing spree in the town. Using the same modus operandi as the original killer, the Executioner, the copycat causes terror and chaos throughout the town. As the body count rises, Sarah becomes increasingly paranoid, fearing that someone is watching her and plotting to take her life.
The suspects are many and the clues are confusing. Could the killer be one of Sarah's childhood friends, who now runs the local bar? Or is it the local sheriff who seems to have a personal vendetta against the Bennetts?
As the copycat killings grow more frequent and brutal, finds herself in the crosshairs of the Executioner. Eventually, she discovers that the killer is someone much closer to home than she ever imagined. In a suspenseful finale, she confront the killer and finally puts an end to the horror that has consumed her life.
In the second season of the TV series "Slasher," the storyline evolves beyond a single protagonist and introduces a set of characters, including Peter Broome, Dawn Duguin, Noah Jenkins, Susan Lam, Andi Criss, and the residents of We Live As One. These characters are brought together by a devious, premeditated act of violence, decades in the past. Several years ealier, they all worked as camp counselors in Camp Motega when they murdered Talvinder Gill, another counselor, by beating her to death and hiding her body deep in the woods.
After being informed that the land where the murder was committed has been sold off for development, the group decides to return to the area in the dead of winter with the primary goal of relocating Talvinder’s body and protecting their secret. Five years have passed since their heinous act, and a bustling private spiritual commune has now made the region its home. Nevertheless, it becomes evident that the killers have not gone unnoticed, as both the counselors and the resident commune members find themselves vulnerable to someone that is hunting them relentlessly. The killer sabotages their means to leave by draining the snowmobiles, leaving them surrounded by harsh weather and wilderness, and soon they see no way out.
The extreme environment wears down close relationships and leads to secrets being exposed. As the winter weather worsens, so does the homicidal instincts of the killer. Blood and secrets spill across the vast, eerie wilderness surrounding the camp, as the mismatched group struggles not only to escape the deadly pursuit of the killer but also to survive the harsh elements of the environment. They find themselves fighting against not just the forces of nature but also the malevolent intent of the predator that stalks them. Will they be able to defeat the killer’s retribution and emerge unscathed from the ordeal?
Solstice is a complex, multi-layered narrative that takes place over the course of a full 24-hour period during the summer solstice. The present-day residents of the Clayborne Apartment building are the focus of the story, each one linked to the death of tenant Kit Jennings who was murdered on his way to the building a year prior.
Jennings' death occurred when he was attacked by a perpetrator known as "The Druid," who had remained dormant and seemingly disappeared since the initial incident. However, when The Druid resurfaces and begins targeting those individuals connected to the event and who suffer from various forms of discrimination and marginalization, the situation becomes more complicated and sinister.
Each of the targeted residents harbors their own hidden motives from their past, making for an even more intriguing storyline. The police detective duo of Roberta Hanson and her partner Pujit Singh work tirelessly to investigate the grizzly murders, attempting to make sense of the connection between The Druid's first attack and the string of subsequent killings.
As the story unfolds, it becomes clear that the relationship between the incidents and the individuals who were involved in them and affected by them plays a crucial role in uncovering the motives behind the ongoing murders. The plot twists and turns with each revelation, keeping readers on edge as they try to piece together the mystery of who The Druid could be and what his motivations might be for targeting the seemingly unrelated individuals who live in the Clayborne Apartment building.
Solstice is an enthralling, page-turning thriller that will capture readers' imaginations from the first page to the last. The characters are well-developed, each with their own unique motivations and secrets, adding depth and complexity to an already intricate plot. The exciting climax of the story is well worth the journey and will leave readers satisfied, yet still craving more of this captivating tale.
The Galloway family has always been known for their wealth and privilege, but they have their fair share of dysfunction hidden behind closed doors. When their grandfather passes away, leaving behind a vast fortune, the family is instructed to participate in a series of deadly games in order to determine who will inherit his wealth.
At first, the Galloways see the games as a mere challenge to their intelligence and cunning, but as the games progress, they begin to see the horror of what they've gotten themselves into. Family members are brutally murdered one by one, seemingly at the hands of an unknown and elusive killer who watches their every move through video surveillance.
As tensions run high and accusations fly, the remaining family members must work together to identify the masked killer among them. Each member hides their own secrets and personal motives, and it becomes clear that anyone could be the culprit. With their own lives on the line and their family legacy hanging in the balance, the Galloways play a deadly game of cat and mouse to uncover the truth.
The games themselves become more and more dangerous as time progresses, pushing the family to their breaking point. With violent and gruesome deaths taking place in quick succession, the pressure mounts as the identity of the killer remains elusive. But when the shocking truth is revealed, the family is left to grapple with the dark and twisted reality of their own greed and dysfunction.
In Season 5 of the show "Slasher" titled "Ripper," viewers are introduced to a mysterious and vengeful character known as The Widow. Draped in a black veil, The Widow begins a killing spree in retaliation for a mysterious misdeed that occurred 12 years ago. Initially targetting the rich, the motive behind the murders becomes less clear as the story progresses.
Simultaneously, the viewers are presented with another unsolved crime - the brutal disembowelment of a young woman named Margaret that took place in the same street 12 years ago. With no leads or suspects in the cold case, anyone could potentially be involved.
"Slasher" takes a characteristic approach of blurring the lines between likability and suspicion, with various characters potentially being seen as suspects. However, the show manages to keep the audience somewhat invested in the characters, avoiding making them entirely unlikable.
As Season 5 unfolds, viewers are drawn deeper into The Widow's twisted vendetta and the unsolved mystery of Margaret's murder. The tension builds, with each subsequent murder raising more questions than answers. Will the truth behind The Widow's motives and Margaret's death finally be revealed, or will the darkness continue to prevail? Tune in to find out in this gripping season of "Slasher: Ripper."
Thomas Winston
Cameron Henry
The Executioner
Slasher
Pastor (Tom; formerly)
Inmate at Franklin Penitentiary (Tom; formerly)
Sergeant-turned-chief of Waterbury Police Department (Cam)
Serial killer (Cam)
Physical strength
High intelligence
Murder methods
Knifemanship
Athleticism
Stealth
Drawing.
Killing.
Tom:
Murder Bryan and Rachel Ingram (succeeded).
Cam:
Murder people using the seven deadly sins as a modus operandi (succeeded).
Make Sarah Bennett love him (failed).
Tom:
Murder
Cam:
Breaking and entering
Attempted murder
Serial homicide
Incrimination
Kidnapping
Vigilantism
Mutilation
Mariticide
Parricide
Torture
Obsessed Serial Killer
The Executioner is the main antagonist of the first season of the 2016 anthology horror TV show Slasher titled The Executioner.
The Executioner wears an aged brown latex executioner hood, with laces on the front and back of the mask, along with a black priest cassock, black leather gloves, black jeans, and black boots. The Executioner also wears black makeup around their eyes to hide their true identities.
Initially, The Executioner was a scorned pastor named Tom Winston, but his double murder would go on to inspire the crimes of a copycat killer thirty years later.
Tom Winston was a pastor for Waterbury Church, who sought to help bring an end to the crime and corruption of Waterbury, Canada. However, that all would change when he fell in love with Rachel Ingram and the two had sex. Unbeknownst to him, Rachel, her husband Bryan, and their friend Alan Henry were producing and selling porn, something Tom was against. A camera recorded him and Rachel having sex, and they used this tape to blackmail the pastor into leaving their industry alone.
Disgusted and heartbroken, on Halloween night, he dressed up as an executioner and murdered Bryan and scarred Alan. Then he unmasked himself to an injured Rachel, who told him that she was pregnant with his baby. In response to this, Tom cut the baby out of her stomach and sat in a rocking chair, holding his daughter as the police arrived. He was sentenced to life in prison.
Thirty years later, when Sarah Bennett returned to Waterbury with her husband, Dylan, a new Executioner started a series of brutal murders, supposedly continuing what Tom Winston started.
With help from the original Executioner, Sarah is able to figure out all the victims' secrets, before eventually becoming a target herself. When she and Tom are kidnapped and she is about to be sawed in half for pride, Tom sacrifices himself so the Executioner spares his daughter.
The real Executioner frames Sarah's husband by planting a box of murder trophies in his house. With Dylan arrested, Sarah finds comfort in her friend and the police deputy, Cam Henry. However, when she finds a picture of Cam holding a drawing that looks similar to the ones found in The Executioner's lair, she investigates his house and finds the cut up remains of his father. Now, certain that Cam's the true killer, she lures him outside of a party and stabs him with his own knife.
Cam pulls the knife out and slashes Sarah's shoulder with it. Now injured, Sarah runs for her life, eventually ending up at her house. Dylan shows up and tries to fight with Cam, before being knocked out. Sarah tries to escape, but Cam knocks her down and stabs her in the shoulder. Cam then cuddles up to Sarah and talks about the first time he saw her. Afterwards, he raises the knife to finish her off, but Sarah knocks him down with her Grandma's urn. With the roles reversed, Sarah picks up the knife and plunges it into his chest. Dylan wakes up and holds Cam still while Sarah stabs him four more times and finishes him off by slicing his throat.
Judith Berry
The Camp Motega Killer
Judy Berry
The Killer
Slasher
Den mother
Serial killer
Murder methods
Manipulation
None
Avenge her son's suicide by killing The Motega Five and anyone that gets in her way (succeeded with everyone, except Dawn).
Serial killings
Mutilation
Torture
Abduction
Incrimination
Dissociative Serial Killer
Judith Berry is a commune member and the main antagonist in the second season of the horror anthology series Slasher titled Guilty Party. She was the mother of Owen Turnbull, the counselor that The Motega Five framed for Talvinder's death. As a result of this, Owen hanged himself in prison, but not before asking his mom to make the ones responsible pay.
To hide her identity while killing people, she wears black ski goggles, a black ski mouth guard, a fur hooded orange parka (which later ends up becoming blood stained), black glove liners, black snow pants, and black winter boots.
She was portrayed by Leslie Hope. In-costume scenes as The Camp Motega Killer were portrayed by Bernadette Couture.
Judith was the mother of Owen Turnbull, a counselor for a summer camp in Canada called Camp Motega. However, one night, a group of counselors killed another counselor they were having problems with. Afraid of going to prison, the counselors hid the body and framed Owen by putting a necklace belonging to the deceased, in his laundry basket. He was arrested and charged with murder, but knew the truth. Years later, he wrote a letter to his mother asking for her to avenge him and committed suicide by hanging himself with bed sheets. As a result of her son's suicide, she developed a homicidal and vengeful personality in her head known as Wren.
Wyatt
Jennifer Rijkers
Connor Rijkers
The Druid
The Killer
The Murderer
Slasher
Serial killer
Murderous expertise
High intelligence
Stealth
Physical strength
Medical knowledge
Cleaning up blood
Keys to all the apartments
Killing anyone who stands in his/her way.
Murder Kit Jennings as revenge for kissing his ex-girlfriend (as Wyatt, succeeded).
Murder his ex-girlfriend, Noelle Samuels (as Wyatt, succeeded, but was captured).
Murder the tenants of the Clayborne apartment building as revenge for being responsible for their mother's suicide (as Jen and Connor, succeeded with everyone, except Dan Olenski).
Serial murder
Mutilation
Torture
Kidnapping
Trespassing
Snuff filming
Theft
Legacy Serial Killer
The Druid is the main antagonist in Season 3 of the anthology horror series Slasher, titled Solstice.
The Druid wears a 3D printed black polygon mask with a ghoulish blue EL wire visage and is accompanied by black leather straps with silver snap buttons. The Druid wears a black nylon full-face cloth mask underneath The Druid mask. The Druid also wears a black lightweight-cotton hooded jacket with four metal buckles/straps, a black fabric neckpiece, black knuckle guard motorcycle gloves, a black tank top shirt, black jean joggers, and tall black duty boots.
The Druid costume was initially used as a disguise of a crazy ex-boyfriend, Wyatt, who used it to murder his ex-girlfriend's current lover. However, one year later, it was used by a brother and sister, Connor Rijkers and Jen Rijkers, as a way of getting revenge on all the tenants of the apartment complex they lived in, who drove their mother to commit suicide.
Wyatt, who was stalking his ex-girlfriend Noelle Samuels at the time, was at home looking at all the pictures of the Solstice party she was at, liking every one. Until, she posted one of her and Kit Jennings together. After the party, Wyatt followed Kit Jennings home, disguised in a hooded coat and low poly mask with neon lights. He waited at the Clayborne apartment complex for Kit to get there, then when Kit addressed him, he pulled out a knife and chased him. As Kit was being chased, he tried asking the tenants for help, only to be ignored. He is then stabbed repeatedly in the back, but still manages to keep up the chase. The chase ends when Kit is hit by a car.
One year later, during the solstice and anniversary of Kit's death, The Druid begins a brutal killing spree involving all the people that lived in the Clayborne apartment building. We are led to believe that The Druid is killing people because they ignored Kit Jennings as he was being chased and attacked, but the real reason turns out to be because Justine Rijkers took a picture of Kit's dead body and mocked him online.
As a result, Justine and her family are harassed by internet comments and their fellow neighbors, which led to Justine committing suicide in front of the building. The copycat Druid ends up being Justine's two children Jen and Connor, who decided to kill all those they deemed responsible for their mother's suicide.
In the end, the two are killed while trying to burn the bodies in the furnace. Angel burns Connor alive by forcing his top half into the furnace, and Saadia knocks down Jen with a fire extinguisher causing her to impale herself on her own blade.
Persephone Trinh
The Gentleman
The Killer
Slasher
End of life specialist
Serial killer
Murder methods and skills
Unknown
Kill as many Galloways as she can with leaving only one heir standing and get away with it (failed)
Serial murder
Torture
Medical malpractice
Sadistic Serial Killer
Dr. Persephone Trinh, also known as The Gentleman is the main antagonist in the fourth season of the horror anthology series Slasher, titled Flesh and Blood. She is an end-of-life specialist with a notable love for bloodlust and slaughter, traits that caused her to commit several malpractices on her career. She was blackmailed by millionaire Spencer Galloway and hired to kill every member of his family who lost a game on which his fortune was on play, hiding her identity with a disguise of the family ghost, ''The Gentleman''.
To hide her identity as The Gentleman, she wears a modified Venetian Bauta mask, a black top hat, and a black balaclava underneath. She also wears a black frock coat, a black puff tie, a black velvet vest accompanied by a silver pocket chain, a white high-collar dress shirt, black dress trousers, black zip-up boots, black ruched leather gloves, and a leather belt.
Not much is known about Trinh's life. It is only known that she is an end-of-life specialist, which means she works in performing assisted suicides and creating wills. However, she is secretly a sadistic psychopath that enjoys to painfully kill some of her patients. Many rumors have spread throughout her career about several medical malpractices that caused her patients to die horribly. Shipping millionaire Spencer Galloway discovered these rumors. Spencer was a horrible man who despised his family and viewed them as disappointments that were not worth of inheriting his fortune, but he needed a successor. So he created a game in which his family would fight for his fortune, but to the expense that a masked killer would hunt down the losers, only leaving the winner alive. Spencer blackmailed Trinh about her malpractices and used her to carry out his master plan. Spencer ordered her to murder his son-in-law, an artist named Reycraft, as a form of test to see if she was suitable for the work. Trinh interrupted in Reycraft's gallery and crushed his head with a machine. To have her fully controlled, she also paid her and promised that this experience would please her urge for slaughter. Spencer was dying of lung cancer and asked Trinh for her end-of-life services. Spencer wanted to die without pain, but Trinh ultimately betrays him and injects his heart with acid. With Spencer gone, she disguised herself as ''The Gentleman'', a family legend about a ghost that lurks in Spencer's island, and goes out on a killing spree, viciously murdering losers and non-participants alike.
Trinh has the most straightforward motives from all the killers of the show. She is devoid of any sympathetic traits and doesn't perform her acts out of revenge, mental illness or twisted morals. Instead, she does it purely out of sadistic enjoyment. It is presumed that she had been killing her patients in painful ways throughout her career as an end of life specialist, which show that these traits had always been with her even before the events of the series. When Spencer discovered all of this, he sought to use her as his personal hitman against his family. She was tasked to murder Reycraft as some sort of test. When Trinh crushed his head with a machine, she only showed sadistic glee on what she did and even plays with the bashed brains of her new victim. This reaction may show that this was the first time Trinh actually personally murdered someone in such a bloody way. There's some greed in her motives, as she was being paid for performing these acts even if she enjoyed doing so. This was the main reason she mostly played by Spencer's rules even after betraying him: She wouldn't get completely paid unless she actually left one heir standing. This didn't stop her from brutally killing people who weren't participating in the game, like Merle and Birgit, as she saw it as ''juicy opportunities''. There's also a little bit of self-preservation on what she did, as she was being blackmailed by Spencer and his lawyers if she didn't perform these acts. This however was not the main reason that pushed her in commiting the killings, as she greatly enjoyed what she was doing. Trinh is currently the only killer of the show to be motivated by explicit sadism and can be considered the worst of the villains in the series.
Regina Simcoe (née Mehar)
The Widow
Slasher
Unknown
Martial art skills
Murder skills
Intelligence
Great strength
Help the poor people of Toronto.
To torture and kill Basil Garvey and everyone involved in the murder of Margaret Mehar (succeeded)
Serial murder
Torture
Mutilation
Tresspassing
Conspiracy
Kidnapping
Mariticide
Vigilante Serial Killer
Regina Simcoe (née Regina Mehar), also known as The Widow is the main antagonist in the fifth season of the horror anthology series Slasher, titled Ripper.
She is the wife of wealthy aristocrat Alistair Simcoe and in secret, a ruthless serial killer who ennacts her cruel vengeance upon the tycoon Basil Garvey and his associates for something they did in the past.
She was portrayed by Clare McConnell. Young Regina was portrayed by Shayelin Martin. In-costume scenes as The Widow were portrayed by Nicole Moller.
Regina was the daughter of harlot Margaret Mehar. When she was a child, she lived a decadent life with Margaret who had to sell her own body on the streets for just a few coins. Her pimp Horatio Dixon eventually sold her as a maid to Viviana and Venetia Botticelli whom provided Regina a sort of shelter inside their manor. However, the savage sisters tortured both daily and even threatened to sell Regina to the local butcher.
Having enough of her sadistic masters, Margaret tried to save her daughter's future by getting money at any cost. To achieve this, she threatened to blackmail Basil Garvey, the tycoon who owned half of Toronto by revealing to the upper class that he himself descended from a prostitute if he didn't pay her what she believed she owned. Of course, this horribly backfired to her as Basil lured her to a place in which she would be raped and tortured to death by him and his associates. Basil then framed and convicted the pastor Andrew May Sr. for his own crime and he was executed by hanging.
The Botticellis kicked the young Regina out to the streets since they weren't bind to Margaret anymore, but she was taken by one of their servants Mrs. Tamanaha, from whom she learned martial arts and self-defense skills. However, Regina grew up with a strong feeling of burning vengeance against all the people involved in the murder of her mother, feeling sick of the corrupted system of justice bought by Basil.
As an adult, she married Alistair Simcoe, one of the people directly involved with her mother's death and from him she got the details she wanted to rightfully ennact her vengeance. With everything confirmed, Regina dressed herself in a widow's gown and roamed the streets of Toronto leaving a trail of fear and blood to make the upper class know that a new threat has arrived town, a ghastly figure that would never stop until Basil Garvey got torned apart into pieces.
Regina is not only motivated by vengeance but also out of a twisted but strong sense of justice. The fact that the man who ruined her life was practically untouchable greatly sickened her, believing there was no other way to get justice for her and her mother if it wasn't by her own hands. Unlike past killers who liked to pose as vigilantes but ultimately came as petty, Regina made sure to punish people who actually deserved it, being amongst her kill toll rapists, torturers, serial mutilators, sex slavers, corrupt officials and murderers. However, as it is usual for most of these killers she comes of as too cruel, not willing to spare her victims even if they comply to her demands and giving exaggeratedly painful and torturous deaths that don't fit the crime most of the time.
Despite of that, she never deviates from her intended targets and will not harm any third-partiers even if she would greatly benefit from doing so if she can assure that they are innocent. Even if her motive is a selfish one as it is vengeance, Regina can be considered the most righteous and less petty killer compared to the rest, being a true vigilante who actually has heroic goals in mind, but who's methods to achieve said goals are extremely inhumane.
GHOSTFACE
As the cold tendrils of autumn creep in, casting eerie shadows upon the moonlit streets, a chilling presence awakens from its slumber once more. Welcome, dear friends, to a realm where fear reigns supreme, where terror lurks around every corner, and where twisted minds orchestrate a macabre melody. Gather, if you dare, for a discussion on the five seasons of Slasher, where nightmares become reality and your darkest desires may just consume you. Brace yourselves, for in this bone-chilling saga, the line between predator and prey blurs, and the price of survival comes at a haunting cost. Let us venture deep into the abyss, where secrets fester and blood stains the pages of an unholy chapter as we uncover the wicked tale that awaits us in the shadows of Slasher.
MIKEY
Sarah Bennett (Katie McGrath) never stood a chance from the moment she was ripped from her mother's womb by the Executioner himself, Tom Winston (Patrick Garrow). Returning to her hometown only brings forth more terrifying memories as a new Executioner emerges from the shadows, ready to inflict more horror upon her life.
Slasher: The Executioner is the epitome of true horror story, filled with blood-curdling violence and terror at every turn. The cast, however, pales in comparison to the terror that surrounds them. They are wooden and lacking in conviction, making the already terrifying plot even harder to watch.
As Sarah uncovers more secrets about her parents' death and her own past, the killer continues to torment her, leaving the audience to suffer along with her. The gruesome murders bring some relief from the stilted acting, but they aren't enough to save this amateur production.
Even with its potential for future seasons, Slasher: The Executioner falls short in its execution. The second season, entitled Slasher: Guilty Party, follows in the same vein of campy slasher motifs, but it can only do so much to correct the errors of its predecessor.
As the plot unfolds, it becomes clear that Sarah is the ultimate target for the Executioner. Dylan (Brandon Jay McLaren), her husband, is arrested for the murders, but the real killer is finally unveiled, leaving a trail of death and destruction in its wake.
Slasher: The Executioner will leave you quivering in fear, but it will also leave you feeling let down by its poor acting and execution. Beware the shadows, for the Executioner may be lying in wait.
CHUCK
Listen, my dear friend, and I'll tell you a tale of horror and despair. A story of Sarah Bennett (Katie McGrath), whose very existence was cursed from the moment she was cut from her mother's womb by the infamous Executioner. She can never escape the horrors that follow her, and even her unsuspecting husband, Dylan (Brandon Jay McLaren), becomes ensnared in the web of terror that surrounds her.
Together, they journey back to Sarah's family home in Waterbury. But the past is alive and well in the town, and the Executioner's shadow looms ominously over their lives. American Horror Story may be a lighthearted romp compared to Slasher, but this series is here to play with the big dogs. Your typical story? Perhaps. But the twists and turns will leave you gasping, unsure of who to trust and what horrors may befall our protagonists.
And it's not just the thrilling plot that sets this series apart. The cast brings a certain depth and realism to their roles that will have you on the edge of your seat. But prepare yourself for the shocking scenes of violence that will leave you breathless. Make no mistake – Slasher—Season 1 is a throwback to the classic slasher films of your nightmares.
The retro feel of the series pairs perfectly with the modern storytelling, creating an atmosphere that's both nostalgic and fresh. It's a perfect match for any horror fanatic looking for a bone-chilling journey. But beware, my friends, for the Executioner is back and ready to strike. The terror and horror that awaits you in Slasher: The Executioner is not for the faint of heart. Dare you take the plunge and face the darkness that awaits? Only time will tell... muahaha!
GHOSTFACE
Well, hello, horror fans! It's Ghostface, ready to weigh in on Slasher season one, a show that is eerily similar to my old rival, Scream, and one of my favorite horror movies, Silence of the Lambs.
This show brings together the perfect blend of mystery, suspense, gore, and psychological terror that will leave you checking under your bed for weeks. The likeness to Scream is unmistakable, with its thrilling plot, chilling murders, and tension that will have you chewing your fingernails to the bone.
But that's not all, folks! The show also shares some elements with Silence of the Lambs, mainly consisting of the killer's use of the Seven Deadly Sins as a means of murder and being somewhat mentored by a serial killer, while bringing an intense psychological dimension to this already captivating plot. It's enough to make Hannibal Lecter himself proud.
The story follows Sarah Bennett, who returns to her hometown with her husband Dylan, only to discover that the Executioner has come back to continue his killing spree. And let me tell you, the murders are brutal and grisly enough to make even me, Ghostface, flinch!
As for Dylan's wife, Sarah, I must admit that while her character is well written, her acting falls short, leaving her somewhat one-dimensional.
Katie McGrath portrays Sarah Bennett, and although her performance is not terrible, it doesn't leave a lasting impact. She fails to deliver the necessary depth and layers to her character that the writing demands, and it's hard to empathize with her struggles.
The rest of the characters are delightfully fleshed out, and the interactions between them will keep you glued to your screens. It's almost like you're a fly on the wall, watching helplessly as they are hunted down by the Executioner one by one.
The writing is entertaining and adds to the terror of this ink-black tale, with one plot twist after another, keeping you guessing until the very end. Whoever wrote this script needs to be congratulated - they truly outdid themselves!
It's just a shame that such a fantastic show that is well-executed in every other aspect is let down by weak performances from its two central characters. However, the show's strengths outweigh these shortcomings, and despite the occasional poor acting, Slasher season one is still a show worth watching.
So, grab a bowl of popcorn, turn down the lights, and settle in for the ride of your life. But be warned, while you may be the one holding the remote, the Executioner may be holding the knife.
MIKEY
Breathing heavily, I watched every episode of "Slasher" Season 2, sweat dripping from my mask as my heart raced with terror. The story, titled "Guilty Party," was all too familiar to me, reminding me of my own blood-soaked past. The group of former summer camp counselors returning to the camp-now a commune-in the middle of winter, was a recipe for disaster. The flashbacks to five years ago were a haunting reminder of the sins committed, the bond of the counselors tight even after they covered up the death of a colleague. But now, with a construction project upcoming, they must move the body before it's discovered.
The tension built with each subsequent episode as the truth behind the fateful night slowly pieced together. The present-day action was reminiscent of "I Know What You Did Last Summer," mixed with the tension of "The Thing." The commune members began to wonder if they should have ever let these young folks stay, but it was too late. Each of them, including Leslie Hope-best known as Teri Bauer in "24" Season 1-was in danger, as the killer picked them off one by one in creative and gruesome ways. Winter sporting equipment is not safe in the hands of this killer.
I couldn't help but watch in amazement as the writers of "Slasher" Season 2 also tapped into a specific trick used by at least a couple other movies, including a famous one, where one character is not who they seem to be. The revelation was telegraphed so blatantly that I wondered if it was intended to be a surprise or if it was deliberate.
In the end, it didn't matter, as the show had me on the edge of my couch the entire way. It was a chilling reminder that karma catches up with us all, and the skeleton, quite literally and figuratively, won't stay buried. Don't say I didn't warn you if you decide to watch "Slasher" Season 2. Be prepared to face your fears and the gruesome reality of what it means to be a killer.
CHUCK
I just watched "Slasher" Season 2, and let me tell ya, it was a real bloodbath. The eight-episode story is subtitled "Guilty Party," and it's all about a group of former summer camp counselors who return to the camp five years after they covered up a colleague's death. They aim to move the body before it's discovered, but as you might imagine, things don't go exactly as planned.
Now, as a horror aficionado myself, I can appreciate a good murder spree. But I gotta say, this one left me feeling a little underwhelmed. The flashbacks to the fateful night were interspersed with present-day action that was supposed to be all tense and stuff, but it just didn't quite hit the mark for me.
The whole thing felt a little too much like it was trying to be "I Know What You Did Last Summer" crossed with a bizarro "Psycho". And don't even get me started on the whole commune angle. It felt like they were trying to go all "Midsommar" on us, but it just didn't work.
Sure, the kills were creative (if a little goofy at times), and there was a specific twist that I saw coming a mile away. But overall, "Slasher" Season 2 just didn't quite live up to its potential. If you're a hardcore horror fan, you might find something to like here. But for everyone else, I'd say stick to the classics.
And for the love of god, don't trust anyone with a...you know what? Just don't trust anyone. You never know what kind of evil lurks about.
GHOSTFACE
Greetings, horror fans. It's Ghostface, ready to deliver a bone-chilling review of "Slasher" Season 2.
The series, titled "Guilty Party," follows a group of former summer camp counselors as they return to the site of their past, now a commune in the harsh, unforgiving winter. Upon their arrival, the snow starts piling up, isolation creates unease and an atmosphere of dread. The sins they thought were buried resurface, calling each of them out for their wrongdoing.
From the very first episode, the tension builds with each subsequent installment, and the level of fear and sheer terror kept me on the edge of my seat. This show commands your attention, and you won't be able to look away even if you wanted to.
The use of flashbacks perfectly balances out the present-day storyline, creeping under your skin as the characters become more complex with each revelation. Every dark corner, every creaking floorboard, every shadow all contribute to an eerie experience that will haunt you long after the show ends.
The kills are gruesome, creative, and will unapologetically test your limits. The construction tools that the killer uses as weapons only add to the disturbing and brutal tactics they employ.
It's not only the plot but the cast of characters that sets the scene for the scares. With their dimensions and complexity, every character is masterfully crafted; even though the show may have you pegging them as whodunit, they never feel like cardboard cutouts.
But let's not forget about the superbly crafted twists that "Slasher" Season 2 has in store for us. It doesn't hold your hand but tugs you deeper into the abyss, playing with your mind until you're convinced that everyone is guilty. The show leaves you with the profound sense of "oh, shit" in the best possible way.
Overall, "Slasher" Season 2 is not only a horror masterpiece but a brilliant exploration of guilt and grief, and the length of the show is perfect to unravel every fable, every spine-tingling moment that will leave a mark on your psyche. For those who crave scares and mystery, this one is unquestionably not to be missed.
MIKEY
As Michael Myers, I must say, I'm impressed with "Slasher: Solstice" on Netflix. This third season from Aaron Martin and his Canadian repertory company is a true masterpiece of horror that keeps the audience on the edge of their seats.
I have seen many horror movies and series, but the kills in "Solstice" are some of the most creative and gruesome I have ever witnessed. The tension, the fear, the suspense, they're all present in this show, and it's all so brilliantly done.
But what really sets "Solstice" apart from other horror series is its diversity and inclusion of characters. None of them is typical or stereotypical. These people live in an apartment building that could be in Toronto or Los Angeles, and they are all so different from each other that it's as if they belong to different worlds. There's a white supremacist, a high school biology teacher, a pretentious barista, an insane woman who roams the halls, a Druid killer enthusiast, a bisexual man, and many more.
And these characters are not just there to be killed off in brutal ways. No, "Solstice" comes up with a new narrative technique to keep its characters alive even after they're dead. The show uses flashbacks to give us their backstory and potential motives for being the killer. So, even though they are dead and gone, they still stick around, and we learn more about them in every episode.
And, if that wasn't enough, "Solstice" is also the most diverse horror series in TV history. It checks most of the expected boxes of race, gender, sexuality, religion, etc. but it also goes deep into diverse personalities, showing us everything from a game tester who's asexual to a biology teacher who means well but is self-sabotaging to a man who just wants the same respect and understanding as everyone else.
All of this gives us a melting pot of characters, and it's dizzying how far this show goes to be inclusive. There's something unsettling about the way all these people interact with each other, and it shows that the melting process is not always a pretty one.
But be warned, the horror in this series is no laughing matter. The kills are brutal, often defying the likelihood of what the killing instruments can do, and they will horrify and disgust you. But that's what I love about it. For all the stuff that makes "Slasher" compelling, the title of the show is never forgotten.
So if you're up for a scare, "Slasher: Solstice" is a must-see show. It's not for the faint-hearted, but for those who can endure, it's a true masterpiece of horror.
CHUCK
Would you look at that? "Slasher: Solstice" is on Netflix, and it's scaring the pants off everyone who dares to watch it. As a doll who knows a thing or two about horror, I'm here to tell you that this show is the real deal.
First off, the kills in "Solstice" are enough to make your head spin. They're creative, brutal, and oh so gruesome. I don't know how the producers come up with this stuff, but they sure know how to make you squirm. Every time there's a murder, it's like a punch to the gut, and yet you can't look away.
And, let me tell you, the characters are something else. This show doesn't just give you typical archetypes; it gives you a whole cast of diverse, unique, and messed-up individuals. There's a white supremacist, a pretentious barista, an insane lady who roams the halls, and many more. What's really eerie is how each character interacts with the others, revealing layers of darkness and secrets.
But "Solstice" doesn't just have great characters and kills, it's got a story that'll keep you guessing until the very end. Like yours truly, the killer is a brutal threat, but in this show, we don't know who that killer is until the last episode. And even then, there are so many twists and turns that you won't see coming.
And let me tell you, the acting is top-notch. These actors know how to sell the terror and the suspense, and they make you feel like you're right there with them in the apartment building. You're as much a victim as they are.
But the most terrifying thing about "Solstice" is how it shows us the dangers of living in an interconnected world. The show explores how social media and the internet can be misused to create horror, and it's genuinely terrifying to see how it can happen.
All in all, "Slasher: Solstice" is a must-watch for horror fans. It's got everything you could want - great kills, suspenseful story, diverse characters, and a message about the horrors of the modern world. Just be careful, though, because once you start watching, you won't be able to stop... and who knows who might be lurking in the dark?
GHOSTFACE
Oh, I see you're looking for a review, eh? Well, Ghostface is happy to oblige.
Now, where to begin with "Slasher: Solstice"? This show had me at the first kill, and it never let up from there. The producers really outdid themselves with the creativity and brutality of the murders. Each one is more gruesome and twisted than the last, and they'll stick with you long after the episode is over.
But it's not just the kills that make "Solstice" so creepy. It's the characters. From the white supremacist to the gay activist, this show gives you a cast of diverse, unique, and troubled individuals. Each character is hiding secrets and darkness that's slowly revealed throughout the series, and it'll keep you guessing until the very end.
And, of course, we can't forget about the killer. This masked psychopath is one of the most chilling and unpredictable villains I've ever seen. Just like in the Saw movies, the killer has a twisted motive that leaves you questioning your own morals and sanity. You won't know who the killer right away, but even then, there are plenty of twists and turns to keep you guessing.
It's not just the suspense that'll get under your skin, though. The acting is impressive, and the characters are so well-developed that you feel like you're part of the story. You'll feel the fear and panic of the victims, and you'll question who you can trust in this complex and terrifying world.
But what really impresses me about "Solstice" is how it uses social media and the internet to create horror. This show brings to life the true dangers of living in a digital world, where anyone can be a victim or a killer. It's a warning that we all need to hear, and it'll have you second-guessing every like, comment, and share.
All in all, "Slasher: Solstice" is one of the best horror series out there, hands down. It's got everything a horror fan could want - great kills, suspenseful story, diverse characters, and a message about the dangers of the modern world. Just don't say I didn't warn you; once you start watching, you won't be able to turn away. And who knows, there might be a slasher lurking in the shadows, waiting to strike...
MIKEY
I have to say, as a horror movie lover, season 4 of the show was a letdown. I was excited to see what the showrunners had in store for us after the thrilling third season, but it turned out to be a huge disappointment.
First of all, the budget for this new season is shockingly low, and it shows. The filming quality is subpar and looks cheap and uninspired. Even on a smaller screen, it was impossible to ignore the lack of creativity and the low production values.
The story itself is flimsy and feels like a mishmash of various horror movie cliches. There's nothing new or inventive about it, and it's just plain boring. The characters themselves are unlikable, uninteresting, and lack the depth that the prior seasons' characters had. David Cronenberg is back, but his character is wasted and diminished in this season. The acting overall is frustrating and just downright bad, with some cringe-worthy performances that are hard to watch.
The horror element is basically non-existent. The kills are poorly executed, uninspired, and not at all scary. The whole season felt like a parody of the previous seasons, rather than something that could stand on its own. And the final season's big reveal is just so predictable and unimaginative, I was left feeling genuinely disappointed.
I have to say, this show has devolved from a great horror series to something mediocre and daft. I was hoping for something that would keep me up at night, but all I got was a laughable horror show. If you're looking for something genuinely scary and well-made, this show definitely isn't it.
All in all, I would rate season 4 low. It's a weak slasher flick that falls short when compared to its predecessors. It's sad to see the show fall so far from its former glory, and I'm saddened that this is the note it's ending on. I wouldn't recommend this season to anyone, and if the showrunners want to revive the show, they need to take a long hard look at what made the other seasons so great and replicate that.
CHUCK
Gather round, and let me tell you about Slasher Season 4, or Slasher: Flesh & Blood as some like to call it. This season is a hoot and a half, filled with thrill, chills, and spills.
I love a good slasher show, and let me tell you this season of Slasher takes things to a new level. From the very first episode, I was hooked. The show's new home on Shudder seems to have given it a new level of freedom, and the cast and crew have taken full advantage of it.
This season is a bloody good time, with kills that are bold and ambitious, and it's not for the faint-hearted. The combination of characters, some likable, and others not so much, keeps you on your toes, and you never know who's going to bite the dust next.
The setting of the show, the secluded island estate of the Galloway family, is the perfect location for any slasher fan. The isolation and the danger of dangerous games made for an epic prize make for the perfect ingredients for a horror story.
The killer, with its top hat, cloak, and a creepy white mask that looks like a plague doctor, is something to behold. It's been a while since I've seen a slasher villain that made me say "wow" out loud, but this one did it. The ghost story about “The Gentleman” adds a new layer of fear to the season, and I was never sure what was real or just a figment of the character's imagination.
Slasher Season 4 packs twist after twist, and it keeps you guessing until the very end. Every time you think you know what's going to happen, the season zigs when you think it would zag.
In conclusion, Slasher: Flesh & Blood is a must-see horror show. It's a bloody good time that will keep you on your toes from beginning to end. I highly recommend it if you're in the mood for some thrills, chills, and spills. So what are you waiting for? Grab your popcorn, grab your friends, and let's slay this show!
GHOSTFACE
Hello, it is I, Ghostface, back with a fiery review of Slasher: Flesh & Blood. If you're looking for a new horror series to sink your teeth into, this one is sure to satisfy.
The Galloway family is not your typical rich dynasty. They have a dark past, a twisted tradition of competing in vicious tournaments for prizes, and a complete disregard for anyone outside their inner circle. But this year's annual family reunion is unlike any other - it marks the 25th anniversary of the abduction and presumed death of one of the Galloway grandchildren, and the patriarch of the family has gathered them all on his private island to compete for his respect and riches. The winner walks away with the entire family fortune, while the losers walk away with nothing.
But as tensions run high and the family members begin to turn on each other, a mysterious masked figure starts stalking them with even more sinister motives. Is it one of their own, seeking revenge for past wrongs? Or is it something more supernatural, lurking in the shadows of their twisted family history?
Slasher: Flesh & Blood takes the classic horror trope of awful rich people and turns it up to eleven. The body count is high, the violence is graphic and gory, and the suspense never lets up. It's a clever takedown of our increasingly stratified reality, where the wealthy can get away with anything and the rest of us are left to suffer.
David Cronenberg delivers a standout performance as the sadistic patriarch, oozing with malevolence and cruelty in every scene. And the supporting cast is equally strong, with each member of the family bringing their own unique quirks and secrets to the table.
But what really sets this season apart is the slow burn of the mystery. As the season progresses, we get flashbacks that reveal more and more about the Galloway history, building towards a shocking reveal that leaves you questioning everything you thought you knew. And the final showdown between the survivors and the killer is nothing short of epic, with twists and turns that keep you guessing until the very end.
If you're a fan of horror about the 1%, or just love a good old-fashioned slasher with a twist, Slasher: Flesh & Blood is the perfect series for you. It's a fresh and gruesome treat that will leave you trembling with fear and begging for more. So lock your doors, turn off the lights, and get ready for the terror of a lifetime - this one's not for the faint of heart!
MIKEY
I have seen my fair share of slasher series. And I have to say, "Slasher: Ripper" is one of the weakest seasons in the franchise.
First of all, the accuracy of the era in which the series is set is laughable. Yes, Toronto had begun paving its streets around the time period depicted, but where are the cobblestones and gaslights that should be ubiquitous in this era? The lack of attention to detail in the show's setting takes away from the suspension of disbelief that is so important in horror.
Furthermore, the characters in this season are largely unlikable and undeveloped. The Botticelli sisters are nothing more than shallow caricatures of themselves, treating their newfound friend Verdi like garbage almost immediately after she arrives. And while I understand that "Slasher" flirts with making everyone unlikable, it's difficult to root for anyone when they're all so vicious and shallow.
And let's not forget the show's failures in casting and acting. The actors fail miserably at conveying the speech patterns and mannerisms of 1890s society, making the show feel like it takes place in a strange, alternate universe. It's hard to take any horror seriously when the characters themselves are so absurd.
Finally, the violence in this season is nothing that hasn't been seen before. While "Slasher" has always been known for its brutal killings, this season's murders lack the inventiveness and creativity that made previous seasons so memorable. A run-of-the-mill decapitation via dull knife blade? Really? That's the best they could come up with?
Overall, "Slasher: Ripper" is a disappointment. As a fan of the series, I was hoping for more from this season. But the lack of attention to detail, unlikable characters, poor acting, and uninspired violence combine to make this one of the weakest entries in the franchise. If you're looking for a truly terrifying horror series, look elsewhere.
CHUCK
I have to disagree with Mikey. I have watched a lot of horror shows in my day, but none have made my blood run cold quite like The Widow in "Slasher: Ripper". The black veil-clad killer is nothing short of a widow-maker, taking revenge on unsuspecting residents for a misdeed from a full 12 years ago. And let me tell you, the kills in this series are as twisted as they come.
Sure, the show may not be entirely accurate in its portrayal of 1890s Toronto. The flawlessly paved street that caught my attention is just one example - where are the cobblestones and gaslights we expect from turn-of-the-20th-century Jack the Ripper riffs? But who cares about historical accuracy when you're watching the meticulously planned murder of an innocent victim? Director Adam MacDonald may not perfectly capture the era's look and feel, but he knows how to make a killing look good. And he certainly delivers on that front in "Slasher: Ripper".
Critics may dismiss the show's use of color-blind casting, but I say it only adds to the horror. Seeing black officials in a time and place where there were none in the real world only adds to the unsettling feeling the show creates. Who needs realism when you're watching the Botticelli sisters tear apart poor, innocent Verdi?
Yes, "Slasher: Ripper" has its flaws. Some of the actors don't quite nail their 1890s speech patterns and mannerisms. But does that really matter when you're watching a decapitation via dull knife blade or another twisted kill that would make Eli Roth proud?
And mark my words: I have a feeling that sweet, innocent Verdi may not be all she seems. "Slasher" has a tradition of outsider characters not being who they say they are, and I think it's possible Verdi may have a secret or two. But hey, that's just one more reason to keep watching this brutal, unflinching series.
So go ahead, dive into the grotesque world of "Slasher: Ripper". Yes, the 1890s were a brutal time to live in, but this series takes that brutality to a whole new level. It's not for the faint of heart, but for those who can stomach it, it's a terrifyingly thrilling experience.
GHOSTFACE
In the dark corners of the horror genre, a battle for supremacy rages on. While "American Horror Story" may have dominated the screens for years, its luster has dimmed, leaving a void waiting to be filled by a more sinister contender. And in the blood-soaked realm of fear and terror, there is one series that rises above the rest - "Slasher."
As we delve into the abyss of horror anthologies, it becomes evident that "Slasher" holds the crown of superiority. While "AHS" may have pioneered the format of playing out stories for entire seasons and introducing a recurring ensemble cast, it is "Slasher" that has taken those flaws and improved upon them, becoming a force to be reckoned with.
Amidst its predecessors tackling various strains of horror subgenres, "Slasher" returns to its origins in its fifth season, aptly titled "Ripper." Here, the masterminds behind the series unleash their take on Jack the Ripper, tearing apart the archetypal slasher tale with a fiendish twist.
In the grim streets of a Victorian style city, terror reigns supreme, as an upper-class sadist named Alistair Simcoe steps into the role of a modern-day Ripper. But in a shocking turn of events, Alistair meets a gruesome demise, replaced by an even more formidable figure known as "The Widow."
"The Widow" embarks on a mission of vengeance, targeting Toronto's elite, leaving a trail of fear and panic in her wake. As the bodies pile up, it is novice detective Kenneth Rijkers who becomes the closest thing to a protagonist in this chilling tale. With the help of Dr. Israel, Superintendent Isaac Kashtinsky, and priest Andrew May Jr., Rijkers races against time to unmask the mysterious Widow before she strikes again.
The beauty of "Slasher: Ripper" lies in its ability to engulf viewers in a suspenseful mystery, unlike the impulsive and trigger-happy nature of other horror anthologies. It is not a series for deep introspection, but rather a thrilling engagement with the material that keeps audiences on the edge of their seats.
As Shudder's "Slasher" continues to carve its mark in the horror landscape, it has become an indispensable part of the genre in contemporary times. With a solid offering like "Slasher: Ripper," the series has the potential to cement its place among the finest of its kind. It is our fervent hope that "Slasher" finds its rightful place, allowing us to bask in its gripping horrors for years to come.
Slasher is an internationally popular television series that has been airing since 2016. The show has been produced and broadcasted in several countries, including Canada and the United States. The series, created by Aaron Martin and produced by Shaftesbury Films, aired its first season on the American channel Chiller. However, with its third season, Slasher became a Netflix Originals series, further expanding its reach.
The concept of the show is unique, with each season having a distinct storyline involving a different slasher. The slasher is a hooded figure who, in each season's plot, terrorizes the residents of a small town. Each season's story includes themes such as obsession, revenge, and mystery. The show's creator, Aaron Martin, and his team have demonstrated great skill in crafting intriguing plotlines that keep audiences hooked and engaged.
Behind the scenes, Slasher's production process is a complex and challenging endeavor. The team behind it, especially the writers, conduct extensive research to ensure that each season's slasher reflects current social climates. Their dedication and attention to detail has enabled them to pull off intricate plotlines with precision and dedication.
Additionally, the cast and crew of Slasher undergo extensive training to execute the show's horror sequences with utmost precision and realism. The team of stunt professionals works with the actors to ensure that fight choreography, knife fights, or beheadings appear as authentic as possible, with minimal visible CGI effects. This meticulous planning and execution create a sense of realism and authenticity in the show's horror element, something that differentiates Slasher from other horror programs.
The show's aesthetics are also noteworthy, with each element of each season deliberately chosen to create a chilling and suspenseful atmosphere throughout the series. The lighting, colors, costumes, and music are all integral to the show, creating an immersive experience for viewers. The show's cinematography features dark and desolate landscapes, adding to the show's eerie tone.
One unique aspect of Slasher’s production is that each season is filmed sequentially, without any breaks during the filming. This allows the actors and crew to maintain the appropriate levels of intensity needed for the plot’s pacing throughout the story. This is different from most shows which often film scenes out of sequence, impacting the production's pacing and actors' performances.
In conclusion, Slasher is a remarkable television series that has revitalized the slasher genre, and its popularity is a testament to the show's quality. The intricate plotting, extensive research, realistic horror sequences, attention to aesthetics, and unique production process have allowed Slasher to stand out from other horror shows. It is no surprise that the show continues to captivate audiences worldwide, and fans are eagerly anticipating the show's future seasons.
GHOSTFACE
As our discussion draws to a close, we find ourselves haunted by the twisted tales that unfolded within the dark seasons of Slasher. The horror and suspense that gripped our souls still lingers, leaving an indelible mark upon our psyche. We have traversed the murky depths of darkness, witnessed the unraveling of sinister secrets, and shuddered at the sinister dance between life and death. With adrenaline coursing through our veins, we bid farewell to the blood-soaked journey that Slasher has taken us on. But remember, dear friends, the echoes of terror may never truly fade away, for in the realm of Slasher, evil's grip never truly loosens. Until we dare to venture once more into the abyss, let us hold onto the spine-chilling memories of this twisted saga, forever eager for the next macabre chapter that awaits us. Stay cautious, for the night is long, and the slashers are always lurking in the darkest corners of our imagination.
Slasher (TV Series)
The Executioner
GHOSTFACE👍🤏
MIKEY👎
CHUCK👍
Guilty Party
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MIKEY👍
CHUCK👎
Solstice
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MIKEY👍
CHUCK👍
Flesh and Bone
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MIKEY👎
CHUCK👍
Ripper
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MIKEY👎
CHUCK👍
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